IN CONVERSATION
Exclusive interviews with African Contemporary Artists uncovering their unique story with no filters.
![Mous[t] See: Lamrabat's Homecoming at Marrakech](https://images.squarespace-cdn.com/content/v1/5ec831ed224dde288e1f5fbe/1741273851322-9CSTNUIH315Y8AW2QNZX/11.jpg)
Mous[t] See: Lamrabat's Homecoming at Marrakech
In this interview for Mayi Arts, Mous Lamrabat discusses the conceptual foundations of Homesick, his latest series on view at Loft Art Gallery Marrakech through March 15, 2025. The 20 new works manifest as a sentimental peregrination, underlining the profound, multifarious bonds between selfhood and homeland.
In conversation : Marcel KPOHO between Masks, Monsters, and Humanity
In this exclusive interview, Beninese artist Marcel Kpoho reveals the fascinating universe of his masks and sculptures, at the intersection of the human and monstrous worlds. He explores the profound impact of Beninese culture and spirituality on his work.
In conversation : Nedia WERE and the beauty of Afro-Optimism
Artist Nedia Were shares his artistic journey and inspirations from his Kenyan roots up to Kerry Marshall and while finding solace in Afro-Optimism.
In conversation : Malick WELLI presents Forgotten Paradise : PASSAGE
Malick Welli opens up about his latest series Forgotten Paradise : PASSAGE along with his journey to photography in this interview for Mayì Arts
In conversation : Nana Yaw ODURO and the hidden tales of boyhood
Ghanaian photographer Nana Yaw Oduro opens up about his journey into photography narrating the hidden tales of boyhood and coming of age he visually represents in his well acclaimed works.
In conversation : Yvanovitch MBAYA : restitue l’essence Africaine dans le blanc.
Yvanovitch MABYA l’artiste congolais nous présente son oeuvre aux origines riches dans cette conversation avec MAYÌ ARTS. Ancré dans la quête et l’expression identitaire africain, l’oeuvre d’Yvanovitch MBAYA s’ancre comme avant-gardiste de ses contemporains
Sacred Womanhood
Inside Manyaku Mashilo’s Art exploring the healing power of ‘The Laying of Hands’
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